Review by Dr Chang Tou Liang on my performance at The Modern Chopin concert in Victoria Concert Hall, Singapore, on 29th January 2023, a classical music reviewer of The Straits Times (Singapore's national daily) since 1997. Thank you, Dr Chang! I will continue to do better! Read the full review here: https://pianofortephilia.blogspot.com/2023/01/the-new-chopin-poom-prommachart-piano.html
“One might mistake this artist as a fashionista, ambassador for the Canadian luxury brand Kaimirra Tutan, to be more style than substance, but the proof of a pudding was in its eating.”
“Never has a work by Chopin displayed more heterogeneity in mood, harmonies, texture and tempi, yet held so well with some kind of spiritual “spatial and temporal glue”.
"Chopin only performed selections or small groups of Preludes, and never all 24 at one sitting. It was Poom’s singular vision that made this long sequence work."
"And when virtuosity was called for, in F sharp minor (No.8), B flat minor (No.16) and the final D minor (No.24) for example, he unleashed all the weapons of his formidable arsenal." "No performance of the Chopin Preludes has captivated this listener as much as this since the late-lamented Fou Tsong’s in the same hall in 1993, some thirty years ago."
"There can be no melody as exquisitely beautiful as this one. The exposition repeat was omitted, perhaps rightly so as to keep tautness to the proceedings."
"The etude-like Scherzo was whipped off effortlessly and it was ironically in the nocturne-like Largo where some concentration was lost. Nevertheless, the romping Rondo finale, with the ante upped each round, more brought the sonata to a thrilling end."
"As encores, Poom offered an improvisation on a Chinese song (Unending Love) to greet the Lunar New Year, and the most edge-of-the-seat version of Liszt’s La Campanella thought possible. And he had the cheek of declaring he had not enough practice. Most importantly, The Real Chopin made the audience listen to Chopin with new pairs of ears."